valenciaclassicalpilates

Voices of Classical Pilates II -Men’s Work-

No other fitness modality rivals Pilates.

Little did I know when I registered for Dana Santi’s Classical Pilates

ponference several years ago that it would change my life forever f

was my first time working out on Cratz apparatus, and it was my Mist

lesson with lay Grimes: What a shock when I was suddenly unable»t

execule exereises I previously thought I had mastered. The realization

hit me; my muscular connection to exercises was all wrong. My men.

tal focus was all wrong. My understanding of how and where to begin

each movement was all wrong. Although I had learned some theory,

in retrospect, it seemed incomplete. And without the right apparatus,

it was impossible to do the traditional work or experience the real

benefits of Joe Pilates’ traditional system. I was hooked! I knew this

was what I had to continue doing. So I attended Classical Pilates con-

ferences and studied with classically trained teachers. And I purchased

a Gratz Reformer and Wunda Chair, eventually equipping a complete

Gratz studio. I am committed to learning the Traditional Pilates tech-

nique, the best way to achieve optimal physical conditioning.

My fascination with the authentic work began the moment I saw

Kathryn Ross-Nash and Peter Fiasca execute advanced Pilates moves

seemingly effortlessly on the Classical Pilates Technique DVDs.

Already certified to teach Pilates by Peak, I still knew relatively little

about the history of Joe Pilates, the lineage of teachers who trained

with the master, and the historically accurate technique. The order of

the exercises was similar, yet what I had learned just wasn’t the real

work. I had to relearn everything. Everything. The process was almost

like starting from scratch. Had I started with the classical work, I

would have progressed considerably faster. But for the last six years,

Jay Grimes, Kathi Ross-Nash, Broke Siler, Chris Robinson, Dana

Santi, Peter Fiasca, Ernesto Reynoso, and Dorothee Vande Walle have

guided me on this journey; they have shown me and taught me the his

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Tony Balongo, el gurú del movimiento

Cuando se entrevista a un profesor de pilates, además, de pilates “clásico” (sin saber muy bien qué es eso), se tiene el prejuicio de ir a ver a un gurú psicotrópico levitando, casi por encima del bien y del mal, un ser espiritual inalcanzable recitando frases de libro de autoayuda o algo así… Nada más lejos de la realidad. Cuando llego al estudio que tiene en Alboraya, Tony nos recibe con una sonrisa y una equipación digna de un profesor de fitness.

Durante nuestra conversación, Tony no habla de relajación, ni de alineación de planetas, ni conexiones de energía intergaláctica, habla, sobre todo, de mover el cuerpo, de conocerlo, de saber lo que le va bien y lo que no, de mejorar día a día para convertirlo en un aliado de nuestra vida diaria. Cargamos con nuestro cuerpo desde que nacemos hasta que morimos y no lo conocemos, no somos conscientes de sus limitaciones pero tampoco de todo lo que nos podría dar de sí.

Me conquista con la frase: “se trata de mover el cuerpo” de sacarlo de ese estado aletargado, atrofiado, casi paralítico al que lo sometemos… Para pasar a un estado de disfrute, de flexibilidad, de fuerza, de control… para convertirlo, convertirnos, en seres activos y en personas que disfrutan con su cuerpo y las enormes posibilidades que este nos ofrece. Desde luego, si hay algo que transmite Tony es que es una persona libre que hace lo que le realmente le gusta porque ha ido a por ello.

Tony Balongo es del centro de Londres pero de padres gaditanos que siempre le “obligaron” a dominar los dos idiomas por igual. Muy joven se recorrió medio mundo trabajando como auxiliar de tierra en el aeropuerto y, con 20 años, ya era entrenador personal en Londres cuando en España aún no habíamos oído hablar de ello. Con 25 se vino a España de vacaciones en moto un verano y… se quedó, unos años en Valencia, otros en Tarifa, después su paso a Marruecos para acabar volviendo a Valencia donde ahora mismo dirige su propio estudio de pilates clásico, el único que practica el pilates más purista en Valencia, referencia nacional e internacional debido a que desde hace dos años organiza aquí el “Valencia Classical Pilates Conference”.

¿Cuándo y por qué te entró el veneno del pilates?

Pues fue por el boxeo. Cuando vivía en Marruecos yo tomaba clases con un boxeador que era cinco veces campeón de boxeo marroquí, yo había oído hablar algo de pilates pero pensaba (como mucha otra gente) que era algo de estiramientos, no sabía… y este hombre, un día haciendo abdominales, me nombró algo sobre pilates, me contó que había estado en Harlem, en Brooklyn, haciendo pilates con boxeadores americanos. Me enseñó todo el trabajo de centro (abdominal) para trabajar tu faja muscular.

Después, cuando volví a España, yo ya venía con lo del pilates en la cabeza, quería saber más, así que me fui a Barcelona y empecé a formarme desde cero, dedicando mucho tiempo y dinero en los mejores centros de Barcelona y Madrid… pero al poco tiempo me di cuenta, primero, de que no era tan fácil como parecía y después, que había mucho más, así que me fui a Chicago, y después a Nueva York, Arizona, etc… buscando la esencia del pilates auténtico, de primera mano de los mejores.

Tú haces pilates clásico ¿De dónde viene esto del pilates clásico o cómo funciona?

Hay una jerarquía, Joseph Pilates tuvo muchos alumnos en su vida pero enseñó todo lo que sabía a seis o siete alumnos. Yo tengo el privilegio de, cada vez que voy a Chicago, tomar clase con uno de los discípulos directos de Pilates que tiene unos 80 años. Además mi mentora, la que me ha enseñado todo, Kathryn Ross Nash, es discípula directa de Romana Kryzanowska que fue la niña bonita de Pilates. Romana murió el año pasado en New York, a mí me pilló allí haciendo un curso con otros 15 discípulos de todo el mundo.  Kathryn viene este año a Valencia al “2014 Valencia Classical Pilates Conference” que organizo por segundo año consecutivo junto con otros tres profesores que son los más reconocidos mundialmente.

El pilates ahora mismo está muy desvirtuado porque hay muchas cosas que se venden como pilates que no lo son en absoluto. El pilates es movimiento. Lo importante cuando a mí me llega un alumno nuevo es que empiece a moverse, después ya iremos corrigiendo, perfeccionando, ajustando pero lo principal es que se mueva. Romana daba una definición Stretch, Strength and Control (dice Tony con un perfecto acento british) “Fuerza, Estiramiento y Control”. Es una gimnasia muy potente que beneficia a todo el mundo, se puede practicar a cualquier edad porque cada uno parte de su propio nivel y llega a su propio nivel, el que le da su cuerpo.

Y esta onda como “new age” de libro de autoayuda que hay alrededor del pilates, ¿qué te parece?

Es lo que te decía hace un momento, el pilates no es eso, no es una “forma de vida”, el pilates te dice “mueve tu cuerpo para poder seguir con tu vida”, nada más, no es llegar a un nivel de consciencia mayor, ni ser más zen. Aquí se trata de meterse caña una hora, de alimentar tu cuerpo durante una hora, sudar la gota gorda, recolocarse y salir comiéndote el mundo, a lo que tú te dediques, lo que tú seas, se trata de ¡que estés bien!.

¿Qué tiene el pilates que hace que la gente se enganche tanto?

Que funciona. He visto cuerpos de todo tipo, fastidiados que parecía que estaban muertos… y les he visto brotar vida de ellos. Y cuerpos que estaban ya fuertes ponerlos flexibles, asequibles, con movimiento.

La gente se engancha porque de repente empiezan a conocer su cuerpo y es una sorpresa para ellos. Muchos, por primera vez en su vida, se dan cuenta de que son capaces de hacer esto o aquello y empiezan a creer y confiar en su cuerpo. Una de las cosas que más oigo en el estudio es “nunca lo hubiese imaginado que podría hacer…”

¿Será una moda y pasará o el pilates ha venido para quedarse?

Pilates nació en el año del turrón 1880 y se tiró toda la vida creando el método. A pesar de que en España no lleva tanto, en Nueva York se practica desde los años 50 ininterrumpidamente y cada vez ser practica más, no menos. Lo que puede que pase de moda son los sucedáneos que no son pilates, eso de música latina con ejercicios de suelo y lo llamo pilates… eso puede que sí desaparezca pero el pilates clásico bien dado, no. Entre otras cosas porque funciona y porque es una gimnasia completa donde trabajas todo. Siempre tendrá su hueco porque es bueno, como la natación, como las artes marciales clásicas. Además, como es un método, tú vas a tener diferentes niveles a lo largo de tu vida y así es difícil aburrirse.

¿Por qué nos cuesta tanto tener constancia con el deporte y/o la dieta? ¿Qué consejo nos puedes dar para mantenernos, para no abandonar?

La gente se ha estado entrenando solo por estética, objetivo, resultados lo más rápido posible… y eso es la receta para el fracaso. Lo mismo con las dietas, dieta “tal” para perder peso en dos semanas, el efecto rebote es tremendo y está asegurado.

Aquí se trata de pensar al revés, el objetivo es comer más sano, después, si lo haces, seguro que tu peso y tu estética acompañarán. Uno tiene que decidir comer lo que le gusta dentro de unos parámetros más saludables y equilibrados. ¿Te gusta el chocolate? No podrás vivir sin nada de chocolate, come con moderación ese chocolate y haz más deporte para compensar.

La clave es tomártelo día a día, que tu objetivo sea a muy largo plazo pero con metas realistas, cortas y pequeñas. Siempre hay que pensar que un día es mejor que ninguno así que se puede empezar muy poco a poco. Por ejemplo, este mes voy a cambiar el desayuno y voy a introducir una pieza de fruta. No puedes cambiar quién eres de la noche a la mañana pero si haces un poquito y ves que mejoras (que siempre se mejora) te vas a sentir bien y eso te motivará a un poquito más. Cuando pasen tres meses el cambio empezará a ser más espectacular y tú te sentirás aún mejor, de algo así es más difícil bajarse, es más, es seguida tu cuerpo te pedirá más porque nos enganchamos a sentirnos bien.

Pero el truco fundamental, repito, es no obsesionarse con la estética. Si tú llevas una vida buena, sana y feliz, te va a acompañar la estética, seguro. Imagínate despertarte y tener un cuerpo dinámico, oxigenado y pensar “no me duele nada”… lo demás, viene solo. La gente no se para a pensar que todos podríamos tener la calidad de vida que quisiéramos.

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GRATZ GALLERY | TONY BALONGO

UNIVERSAL REFORMER
«The work isn’t the work on any other equipment! It HAS to be Gratz!» – Tony Balongo

About Tony Balongo
Tony Balongo, London born with Spanish descent. I have a background in contact sports, martial arts, British boxing. I snowboard when I can and kite surf too, and I am crazy into motorcycles. I came to Spain on a motorcycle and decided to stay. I discovered Pilates through boxing. I had spent a few years living Essaouira, Morocco training regularly with a 5 time Moroccan lightweight champion named Boushma. Boushma was a man in his late 60’s maybe 70’s and was as fierce as any 30 year old I had ever came across. Boushma came across Pilates while training boxers in Harlem and Brooklyn, New York. The training he gave me involved a lot of core work and looking back I can see he had unknowingly incorporated a little bit of the Pilates Method here and there. I felt I had been exposed to the tip of the iceberg and was really hungry for more.

Upon my return to Spain I began taking classes and shortly after then began a training course. The big change for me came when I attended a Pilates conference and met Peter Fiasca, Kathryn Ross-Nash, and Brett Howard in person. They blew my mind. As I was observing one of Peter’s workshops, “Pilates for most men”, I could see he wasn’t use to the equipment he was using. I asked Kathryn Ross-Nash about this. She told me about Gratz and about the Classical Pilates Conference Dana Santi holds in Chicago. I couldn’t wait until May to attend.

I was a Gratz virgin and it was there that it all changed. I had booked a class with Jay Grimes and booked myself for what was marathon of workshops. I couldn’t believe it. I was going to take a class with somebody that had learned from the big man himself including Peter Fiasca, Kathryn Ross-Nash, Mari Winsor, Brooke Siler, Chris Robinson. All of whom are close friends now.

Tony Balongo | Valencia Classical Pilates


www.valenciaclassicalpilates.com

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Pilates is playtime all day long!

How did you get involved with Pilates?


I discovered Pilates about 10 years ago through boxing believe it or not. (Yes there’s a hell of a lot of core work in boxing.) I received my initial education in Barcelona with Peak Pilates and from about three years ago turned to Classical.

Do you participate in workshops on a regular basis? If yes, what was your latest? What workshop inspired you the most?


I try to attend as many workshops as possible both here in Spain and the U.S. The learning process has to be continuous as far as I’m concerned otherwise its game over. There is just SO much to learn! The Chicago conference organized by Dana Santi is always a must with the likes of Jay Grimes, Chris Robinson, Mari Winsor, Peter Fiasca, Brooke Siler and Kathi Ross Nash and I also travel to New Jersey (N.York) regularly to keep learning from Kathi Ross Nash.( I will be spending a week there this coming August with 15 other amazing instructors.) My latest workshops were here in Valencia this past 20-22 June as I also organise The Valencia Classical Pilates Conference. Brooke Siler, Peter Fiasca, Kathi Ross Nash gave their all in their workshops and group classes and Dana Santi, Ilaria Cavagna and Ernesto Reynoso were giving private classes all day long. Although very busy I get to see all of the workshops at least once. I really enjoyed The Client Clinic by Brooke, Keep it Fresh keep it classical by Peter and The Body before you by Kathi.

What made you decide to make Pilates your profession?


It was a little scary at first when I decided to become an instructor. I was already a qualified personal trainer from a long while back since my early 20’s but had never wanted to make a living out of it. Physical activity and Sports has always been my passion and my release from the stress of everyday life and I guess I was afraid to make it my job. In short, it was the best decision I ever made! I no longer go to work. I go to play! I LOVE my job!

What is your favorite brand of apparatus?


I recently opened my own studio (Valencia Classical Pilates Studio) in Alboraya Valencia. It is fully equipped with Gratz equipment except the Guillotine. My favorite piece of apparatus varies. It depends on what my body need at that precise moment in time. I am currently having a pretty intense affair with the Cadillac! I prefer Gratz. From the moment I first used a Gratz reformer I realized that that was the equipment I had to continue both my training and teaching with. The difference from other equipment I was using was astonishing. Exercises I thought I had under control became a nightmare. On Gratz if you don’t do it right you can’t do it at all. Its that simple. It really makes the difference to achieve the results J.Pilates intended for the body.

Did the economical crises bother you?


The crisis REALLY hit Spain hard. These past few years have been very difficult in all sectors but I have been able to maintain a steady flow of clients. It think the crisis even helped me get a better deal on my rent!! 🙂 There is a lot of really bad Pilates around here. Pilates with very strange names also. Aqua Pilates! Therapeutic Pilates! Yogalates! ( I suppose this happens everywhere) There is no real magic secret to having kept afloat. My clients obtain results and therefore remain loyal. Thats really what its about. Obtaining good results. People are willing to spend their hard earned money on their own health provided they get results.

Did you start your own educational program?


As far as an educational program goes, there is something VERY exciting in the pipeline for the near future!

What is your purpose in giving workshops?


Workshops as far as I’m concerned MUST reach the audience!! You have to assess what type of people are in front of you and transmit the information accordingly. Last summer for example I gave two workshops in Pilates Challenge (New York) “How Pilates benefits the skier”. The first group were young, strong and very fit looking. They seemed the type that liked to be physically challenged. I automatically made it a very physical workshop. In other words I beat them to a pulp. They loved the information they were given and registered it directly into their bodies in a physical manner. The second group however was a different ball game. They wanted the same information but to still be able to put their socks on by themselves the next morning. I actually asked them that!! 🙂 So I had to take a more passive didactical approach.

How many classes per week do you teach and who is your target audience?


My target audience is anybody who wants to improve their body(Healthy or not). I teach a lot of women but I have a lot of male clients also. A great deal of men still believe that Pilates is gentle stretching or light exercise for elderly women. I’m on a mission to change that as much as possible. I teach from about 6-8 classes a day! 6 is just right! 8 is stretching it a little but still manageable. Its a mixture between private classes, duets and even small groups. Maximum 5 people per group. I have 5 reformers and 5 Wunda Chair’s, 5 mats etcetera, so I can move them around the apparatus. The group classes are great fun and it’s wonderful to see people form friendships within those groups because of Pilates, but I enjoy the private classes just as much. I just really enjoy teaching.

Are there more female trainers than male in Spain?


Yes, there are more female teachers here in Spain than there are male, but I see that slowly changing. At this years conference there was a pretty good male turnout with a very good level of Pilates. Change is definitely in the air.

What do think of the future of Pilates?


I see Pilates with a very bright future. Even though like I said before there is a lot of bad Pilates around I see a lot of people hungry to learn the real work and doing beautiful work themselves. This last conference proved that to me. There was a real sense of sharing and community. People from all over the globe!! Australia, Brazil, Costa Rica, Germany, Austria, Italy, France, England, Malta, Switzerland and Spain (and I’m sure I’m missing some countries out!). I mean of what use is it to withhold information?? Teachers from around that come to take lessons with me often say in surprise “ You’re SO generous with your information!” That never stops to amaze me because in my eyes we should ALL be sharing and passing on our knowledge. You have to pass it on while you’re alive and kicking because its a little bit difficult after you kick the bucket.

What is your own vision of Pilates?


My vision of Pilates is one that has probably been said before. It should be taught from a younger age at schools. Children pick things up quicker than adults and retain information much better too. If we were all taught how to move correctly from a younger age there would be far less physical pathologies in later life. I collaborate with many instructors as mentioned above. Through the conferences I organise I try and make these instructors more accessible to people who otherwise may not have the opportunity to learn from them.

Which Pilates words you rather don’t use in your teaching?


I don’t really think about words used as being right or wrong. Each person is different and requires different stimulus. I do however avoid using the names of muscles. The clients have enough already to cope with. They don’t need some smart ass teacher talking to them in latin!

Did you change things about your teaching or would you like to?


My teaching is in constant evolution as I am constantly finding more pieces to the puzzle but my style is basically to kick ass. Make the client sweat, feel good about him or herself and have fun. In my eyes having fun is a very important part of any learning process. I will always try and have moments of humour in my classes whether its a group class or a private and will never for example end a class with an exercise my client/s can’t perform or is/are not yet good at. The feel good process makes them keep coming back for more.

What insight did Pilates gave you?


Pilates has given me the insight that wearing speedos at the age of 80 can be cool! As I mentioned earlier, I moved over or evolved to Classical a while back. I had finished all of my training with a contemporary school and would see other people do things (online and in conferences for example) that I had never been taught before. I had a lot of questions that nobody would or could answer. I knew there was more (And it didn’t consist of putting a Bosu on a reformer or a Fitball on a Cadillac.) I wanted to learn from the source. I was lucky enough to meet Kathi Ross Nash and Peter Fiasca on one occasion and they rocked my world. I have never looked back. There is just só much Joe left us to learn. My opinion I guess is learn it how Joe intended it to be. It ‘s BRILLIANT.

Did you ever meet an “Elder”?


The only elder I have ever met and taken classes and workshops with is Jay Grimes. Something I do every time I go to the Chicago conference. I totally recommend it for whoever has the chance. I would love to have met Romana although I almost feel as if I know her. I mean Kathi Ross Nash was with her for the better part of 30 years. Peter Fiasca, Brooke Siler, Dorothee Vandewalle, Mari Winsor to name but a few worked with her for a long time too. They all keep her teachings alive.

Do you have a funny Pilates story to tell?


Too many funny experiences to mention them all, but just the other day having a client (A large chap slightly over weight in the mid region) perform the Stomach massage series and for the first time I had to stop the class. Lets just say he exhaled from the wrong place as he brought (with difficulty) the carriage back home. He instantly burst out laughing! No embarrassment from his part, just a fit of laughter which was instantly contagious!!! “Your springs do make funny noises”, he said. “I thought you’d ripped the leather” I replied. This wasn’t something that hadn’t happened before with other clients, but it was the first time I spent 5 minutes of a class exchanging fart jokes with someone.

What is your favorite story about Joe and Clara?


I have heard many stories about Joe and Clara from Jay Grimes. Some very very funny but they are for him to tell as they are his personal stories. My favorite story about Joe Pilates is that he dedicated his whole life to this wonderful method. All that time and effort to better peoples lives. Thank you Joe you definitely changed my life!!!

Will you continue practicing and teaching Pilates? What is your Pilatesdream?


I love working out and I love teaching! It’s playtime all day long! Why would I ever want to stop? My Pilates dream is for the method as Joe designed it to remain alive! I believe that this is happening as we speak. There are many wonderful teachers sharing the work all over the globe. The Pilates community is growing and its not because of a fad or fashion. Its because of the love for the work. Oh!….and for more men to be exposed to it!! My mission remember? Twitter @Vclpilates Facebook@ Tony Balongo Valencia Classical Pilates info@valenciaclassicalpilates.com

FILED UNDER: CLASSICAL PILATES, PEAKPILATES, PILATES INTERVIEWS, SPAIN
TAGGED WITH: BROOKE SILER, CHRIS ROBINSON, DANA SANTI, ERNESTO REYNOSO, ILARIA CAVAGNA, JAY GRIMES, KATHI ROSS NAS, MARI WINSOR, PETER FIASCA

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